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Posts tonen met het label Culture. Alle posts tonen
Posts tonen met het label Culture. Alle posts tonen

dinsdag 10 januari 2012

House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)

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House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)

House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)
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House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)An unauthorized look at the philosophical issues raised by one of today's most popular television shows: House

House is one of the top three television dramas on the air, pulling in more than 19 million viewers for each episode. This latest book in the popular Blackwell Philosophy and Pop Culture series takes a deeper look at the characters and issues raised in this Emmy Award-winning medical drama, offering entertaining answers to the fascinating ethical questions viewers have about Dr. Gregory House and his medical team.

Henry Jacoby (Goldsboro, NC) teaches philosophy at East Carolina University. He has published articles primarily on the philosophy of mind and was a contributor to South Park and Philosophy
(978-1-4051-6160-2)..../ House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series) / BOOKS ON CULTURE



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A must-read for all House fans with an interest in philosophy and ethics : House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)


House and Philosophy: Everybody Lies (The Blackwell Philosophy and Pop Culture Series)

If you are a TRUE HOUSE fan, this book is truly a MUST HAVE!! It helps you to understand "Gregory House" (and all the supporting cast of characters) and gives you insight into how the writers (and actors) created the TV Series (and cast), how they connect with each other within the Series, and the real life (or imaginary) persons -- i.e. Aristotle & Plato to Sherlock Holmes -- their personalities are taken from.


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vrijdag 6 januari 2012

The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead

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The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead

Free cable television. Imaginary tax deductions. Do you take your chance to cheat? David Callahan thinks many of us would; witness corporate scandals, doping athletes, plagiarizing journalists. Why all the cheating? Why now?

Callahan blames the dog-eat-dog economic climate of the past twenty years: An unfettered market and unprecedented economic inequality have corroded our values and threaten to corrupt the equal opportunity we cherish. Callahan's "Winning Class" has created a separate moral reality where it cheats without consequences-while the "Anxious Class" believes choosing not to cheat could cancel its only shot at success in a winner-take-all world.

Updated with a new afterword analyzing the latest on cheating from the Martha Stewart trial to the Tyco and Enron sentencings, The Cheating Culture takes us on a gripping tour of cheating in America and makes a powerful case for why it matters.

.../ The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead / BOOKS ON CULTURE

The Cheating Culture: Why More Americans Are Doing Wrong to Get AheadCheating, argues author David Callahan, is no longer the exclusive purview of lowlife criminals, slick hucksters, and shady characters with ace cards shoved in secretive places. Now everyone's doing it and because everyone sees everyone else doing it, they keep on doing it. Callahan says the trouble begins in America's brutally competitive economic climate, which rewards results and looks the other way when it comes to the ethical and even criminal transgressions of those who come out on the winning end. Certainly there is no shortage of examples of cheating from the business community, and Callahan nimbly dissects the dishonest actions of the usual suspects (Enron, WorldCom, Global Crossing) to demonstrate how that same mentality extends out to our educational system, amateur and professional sports, the news media, and even the lives of common citizens who, while they would never think of themselves as being cheaters, are nevertheless inclined to commit the occasional act of beneficial fudging. And while honesty is a nice ideal, Callahan says that cheaters cheat because, contrary to oft-repeated axioms, cheaters win: the chances of being caught are shrinking as are the punishments meted out should one be nabbed, and the benefits of a successful cheat far outstrip any potential threat. Further, Callahan posits that otherwise upright folks who would not cheat are drawn into the practice out of fear that they simply won't be able to make it in modern society otherwise. There's a lot of material for Callahan to work with here, given that every instance of cheating is fair game as source material and is able to be used to construct a theory of epidemic. And the range of material is so broad and the basic argument ("we cheat more") so simple that The Cheating Culture feels a bit like a Newsweek trend piece writ extremely large. Still, it must be noted that Callahan really had all that material to work with and that fact alone is compelling evidence that his premise is dead on. --John Moe.../ The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead / BOOKS ON CULTURE



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Gets Right to the Point: Cheating Destroys the Commonwealth : The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead


The Cheating Culture describes an America where 74% of high school students have cheated on an exam, where parents pull strings to get their toddlers into the best pre-schools, and where it is standard practice to pad one's resume with non-existent degrees. Otherwise honest people under-report their taxes, splice into free cable TV, and over-report their insurance losses. Why do they do it?

David Callahan sees several reasons. One is that in the Winner-Take-All Society (brilliantly described by Robert Frank in his book of the same name), the rewards are huge. Another is that the risks are small -- even when people are caught cheating, there is little repurcussion. And in a society where so many are cheating, we are at a disadvantage if we don't cheat, too.

Most of the book is taken up with describing the (often fascinating) ways people cheat and what are the consequences, to the individual and to the community. When Callahan finally comes to what to do about this pervasive problem, he can only come up with rather mild suggestions. Parents should teach their children to do right, schools and businesses should conduct courses in ethics, the individual should "be a chump" and resist cheating and turn in anyone who does cheat.

This reminds me of the Seinfeld episode where Elaine threatens a cheating Jerry by saying "Someday, something bad is gonna happen to you!" and Jerry shrugs her off with "No, I'm gonna be fine."

In a perfect world, things would even out, and cheaters would get their due. In the real world, Kenneth Lay gets to keep his mansion and may never go to jail.


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woensdag 4 januari 2012

Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (Popular Culture and Philosophy)

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Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (Popular Culture and Philosophy)

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Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (Popular Culture and Philosophy)

The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence, and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others.

The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy ponders the depths of these subjects and asks what it truly means to be mindful of the "living force."
.../ Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (Popular Culture and Philosophy) / BOOKS ON CULTURE



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Great idea but a bit monolithic : Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (Popular Culture and Philosophy)


A few weeks ago in a book store not to far away, I purchased this book, along with 6 others, simply because it's Star Wars and it's philosophy. It's a perfect mix for a geek like me. So far the "Popular Culture and Philosophy" series has 12 volumes and I've assimilated 4 of them. This title being the latest offered as sacrifice to my mind. And the series just never gets boring and its editors and writers aren't lazy (with an exception or two)

Contrary to many philosophy books, they won't bore you with long winded prefaces where they detach themselves from the material to keep their cred as serious philosophers. They take the material seriously, they love, they hate but they never ignore it. And like in other reviews of this series I'll reiterate that this is a book, a perfect book to immerse to non-initiated into the world of philosophy using popular culture as a conduit, thus making philosophy interesting to those who fear it. Most people fear philosophy and declare it boring; for the simple reason that it's perceived as much too cerebral.

It's supposed to be cerebral. Etymologically "philosophy" translates to "love of knowledge". But here you get to do it with the force as your ally. If you dig Star Wars and love philosophy or want to take your first steps into it, this is the book for you. William Irwin, the series' editor, goes for impartiality by choosing writers that may irk him by their one sidedness or stubbornness, not only the writers who praise the subject of his books. Thus you get a great amalgamation of diverse views, positive or negative, on all sides of potential issues stemming from the Star Wars universe... or should I say galaxy?

There are a few chapters where the philosopher is not making the reader think, but rather preaching - or it feels like preaching. They chastise George Lucas (but don't we all?) for glorifying technology over nature.

Elizabeth F. Cook, in her chapter on Environmental Ethics, goes so far in her ideological exuberance about protecting nature that all those right wingers/cons who've accused me of being a tree-hugger will have to review their labeling of my person as a centrist because it seems that we shouldn't disturb nature at all, not even pick flowers. This level of preachyness really itches my disdain of extremist ideology on both sides of the spectrum of thought. Human non-interference on nature, even from the most primitive of human societies is simply impossible. We are manifestations of nature, not outside observers. And even in this ideologue's utopia, how does she reconcile her arguments with those of Heisenberg on observation?

Then we have a chapter where the ball is dropped because the writer accuses Yoda of being against the flesh - by saying "Luminous beings are we, not this crude matter" - and supporting his theory that Lucas upholds artificial life forms and technology above the living. The writer drops the ball by consistently suffering from selective memory and using the philosophical equivalent of sound bites to make his argument, completely disregarding the whole speech about the force being in every living thing, all around us and this living force being his ally. I found it disappointing and amateurish, considering that Star Wars fans of the rabid kind will be reading this book.

And that's as bad is it gets. There are some seriously delicious chapters like the one on Stoicism. This detachment from pleasure and pain that the Sith and the Jedi go through, reminds me a great deal of the Buddha's teachings but the difference is on compassion. Stoicism views compassion as a weakness of some sort, where as compassion is at the center of most schools of Buddhist thought. Also the chapter on Master-Slave relationships is priceless. It exposes how the slave has the better chances at a better life than does the master, using an elaborate "it's lonely at the top" argument. Only Vader could redeem himself and not the emperor. The emperor views all as below him, while Vader is in shackles despite having a great degree of power in the Empire. Only the shackled can free themselves.

They saved the best for last... ok the before-last. The chapter on why the Jedi seem to lie all the time and the Sith tell the truth all the time. It's one of the ethical questions I've had on the religious aspect of Star Wars. Obi-wan and Yoda keep lying to Luke, while Vader and the Emperor keep telling him the truth. But like the Oracle stipulates in The Matrix movies, just make up your own damn mind - and he does, by refusing what both Jedi and Sith tell him and believing in Vader's goodness. And that's not the only Oracle logic that can be found in the Star Wars galaxy. It's obvious that Mr. Impetuous Skywalker wasn't quite ready for the truth about his lineage. That kiddo couldn't handle the truth about Vader being Anakin Skywalker.

In some way Vader did kill Anakin, making Kenobi's earlier statement a truth. Just like Neo, Luke must know-thyself before understanding the deeper meaning of the truth. The truth can't be handed to you coldly, which is what the Sith do to control. They blurt out truths, hiding themselves in plain sight of all to see. Yes its true Vader is Luke's father. But didn't Vader take the most opportune moment to let his boy know the truth? This truth crippled him more than the cauterizing amputation of his hand he moments ago suffered.

The whole series is worth taking a look at and this book, for Star Wars fans, is a must read. I closed this booked re-assessing my opinion of Star Wars. I viewed Ep. 4-6 as a space cowboy movie with little thought put into it. I still worshiped the movies. I've seen Ep. 4 and 5 over 500 times each and Ep. 6 at least 200 times in the last 25 plus years.

What's not to love? Vader, Yoda, starships and space battles galore, light sabers and did I mention Vader? Even my blog's theme is jokingly Star Wars influenced. But I believed it was little more than a big expensive action movie that was just burned into my psyche since I was a child, and now I can see that this was just the surface. I realize that a lot more thinking went into these movies than I believed. I've even gained a bit more respect for those debacles... I mean prequels. I still think they suck to no end. Even Revenge of the Sith; I thought to myself before seeing the movie, that just having Vader in it, even for five minutes, would save the movie... and George screwed up that five minutes also. And yet after this read I can see the story's depth behind all those crappy rip-offs, so-so special effects and would-be jokes.

The force is strong with this one. Despite the fact that the book fails to explain how light can stop after three feet, this book gets a blinding 5 lightsabers out of 5.


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zaterdag 31 december 2011

Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything

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Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our EverythingWall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past.

In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama).

Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism.

“The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future..../ Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything / BOOKS ON CULTURE

Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything

.../ Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything / BOOKS ON CULTURE

Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our EverythingAn Essay from Author David Sirota

Five ’80s Flicks That Explain How the ’80s Still Define Our World
Back To Our Future posits that the 1980s--and specifically 1980s pop culture--frames the way we think about major issues today. The decade is the lens through which we see our world. To understand what that means, here are five classic flicks that show how the 1980s still shapes our thinking on government, the “rogue,” militarism, race, and even our not-so-distant past.

1. Ghostbusters (1984): Peter Venkman, Ray Stantz, Egon Spengler, and Winston Zeddmore seem like happy-go-lucky guys, but these are cold, hard military contractors. Between evading the Environmental Protection Agency, charging exorbitant rates for apparition captures, and summoning a Stay Puft Marshmallow Man, the merry band shows a Zoul-haunted New York that their for-profit services are far more reliable than those of the Big Apple’s wholly inept government. At the same time, the Ghostbusters were providing 1980s audiences with a cinematic version of what would later become the very real Blackwater--and what would be the anti-government, privatize-everything narrative of the twenty-first century.

2. Die Hard (1988): Though the 1980s was setting the stage for the rise of anti-government politics today, it was also creating the Palin-esque “rogue” to conveniently explain the good things government undeniably accomplishes. Hitting the silver screen just a few years after Ollie North’s rogue triumphalism, John McClane became the ’80s most famous of this “rogue” archetype--a government employee who becomes a hero specifically by defying his police superiors and rescuing hostages from the twin threat of terrorism and his boss’s bureaucratic clumsiness. This message is so clear in Die Hard, that in one memorable scene, McClane is yelling at one police lieutenant that the government has become “part of the problem.” Die Hard, like almost every national politician today, says government can only work if it gets out of the way of the rogues, mavericks, and rule-breakers within its own midst.

3. Rambo: First Blood Part II (1985): “Sir, do we get to win this time?” So begins the second--and most culturally important--installment of the Rambo series. The question was a direct rip-off of Ronald Reagan’s insistence that when it came to the loss in Vietnam, America had been too “afraid to let them win”--them, of course, being the troops. The theory embedded in this refrain is simple: If only meddling politicians and a weak-kneed public had deferred to the Pentagon, then we would have won the conflict in Southeast Asia. Repeated ad nauseum since the 1980s, the “let them win” idea now defines our modern discussion of war. If only we let the Pentagon’s Rambos do whatever they want with no question or oversight whatsoever, then we can decisively conclude the wars in Iraq and Afghanistan…and we can win the neverending “War on Terror.”

4. Rocky III (1982): Before the 2008 presidential campaign devolved into cartoonish media portrayals of the palatable “post-racial” Barack Obama and his allegedly unpalatable “overly racial” pastor Jeremiah Wright, there was Rocky III more explicitly outlining this binary and bigoted portrayal of African Americans. Here was Rocky Balboa as the determined but slightly ignorant stand-in for White Middle America. Surveying the diverse landscape, the Italian Stallion could see only two kinds of black people—on one side the suave, smooth, post-racial Apollo Creed, and on the other side the enraged, animalistic Clubber Lang. Rocky thus gravitated to the former, and reflexively feared the latter, essentially summarizing twenty-first-century White America’s often over-simplistic and bigoted attitudes toward the black community today.

5. The Big Chill (1983): This college reunion flick from Lawrence Kasdan is hilarious, morose, and seemingly nostalgic for the halcyon days of the past; but powerfully propagandistic in its negative framing of the 1960s. Over the course of the film’s weekend, character after character berates the 1960s as an overly decadent age that may have been rooted in idealism, but was fundamentally destined to fail. Sound familiar? Of course it does. The 1980s-created narrative of the Bad Sixties can still be found in everything from national Tea Party protests to never-ending culture-war battles on local school boards. The message is always the same: If only America can emulate the Big Chillers and get past its Sixties immaturity and liberalism, everything will be A-okay.

.../ Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything / BOOKS ON CULTURE



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How this country got stuck in the Reagan rut : Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything


Sirota's Back To Our Future takes all things we loved about pop culture in the 1980s, and turns them upside down to reveal the harsh truths of their influence on the 21st century. From Michael J Fox to Reagan to Nike, Sirota examines the straightforward and subliminal messages of that decade in striking, infuriating and hilarious fashion. I found myself at any moment jumping up and screaming in agreement, or gritting my teeth in agreement. Either way, Sirota's biting commentary of this legendary decade is a must read. This book will make you want to go back to 1984, then make you realize you're already there.


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